Guide Symphony No. 29 in A Major, Movement 4 - Full Score

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Symphony No. 29 in A Major, Movement 4 - Full Score scored for Orchestra

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To print parts, please upgrade to a Pro account first. Go Pro. Select part. The symphony opens with an outburst of great energy with the woodwinds and the strings emphasizing different keys D and E respectively but unfolding essentially the same musical ideas, rhythmically vigorous with long and short notes appearing in surprising places to complicate our sense of the meter and at a great speed.

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The argument gradually calms down. A pair of clarinets sings a sweet duet in thirds later echoed by other woodwinds , but the rest of the orchestra objects to more of this and breaks out with a restatement of the very opening soon after with the introduction of a new idea in E—the first strong statement of the key that will be the final goal of the symphony.

First violins over a solo timpani rhythm link the first movement with the Poco Allegretto.

This tempo, and indeed this whole movement, seems to reflect the kind of substitution for a scherzo that Brahms liked to employ—not too fast, not too slow, often quite charming and slightly old-fashioned in feel. As the last hint of the movement dies away in a faltering clarinet flutter, the violins enter with a passionately intense statement to introduce the slow movement in E, though chromatic and not immediately stable.

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It becomes less stable when the woodwinds begin to return solo flute first , agitating and building to a massive orchestral climax. A short statement lickety-split in the strings sounds as if it is going to turn into a fugue—but it suddenly stops in a grand pause and the finale begins.

Beethoven: Symphony no. 9 in D minor, op.125

The last movement begins with a vigorous waltz theme that is not allowed to dance because it is part of the final struggle of the life force to exert itself. Further struggle occurs, culminating in the arrival of the brass instruments pouring forth the melody that the clarinets had introduced in thirds back in the first movement—now climactically in E, a key that the rest of the orchestra confirms to bring the symphony to its glorious climax, celebrating all that is Inextinguishable.

Carl Nielsen Symphony No. 4, Op. 29, The Inextinguishable

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