His work is notable for building new artworks that combine movement, image, sound and word into an organic system and for engaging publics in productive and provocative ways. From his initial practice, live performance, he has developed a cross-disciplinary dramaturgy in which a central platform is engaging with artists across artforms and experts from social, scientific and academic fields.
Distinguished by collaborations with media arts pioneer Jeffrey Shaw, visual artists William Kelly and Callum Morton, choreographer Shimizu Shinjin and theatre director, Kim Kwang Lim, his practice interests include the body, the digital realm and public space. Giselle Garcia is a faculty member at both the Fine Arts Program and English Department of the Ateneo de Manila where she developed the first dramaturgy undergraduate course at the university.
As resident dramaturg and Senior Culture and Arts Officer at the Cultural Center of the Philippines, she also curates artisitc programmes with the Intertextual Division. As a member of the Literary Managers and Dramaturgs of the Americas LMDA and Writers Bloc, she always tries to find ways to support the development of new work, and forging relationships with and between artists, communities and institutions.
Music and Performance
Giselle received her M. Literature English degree from the Ateneo de Manila University.
She has worked on the development of over new plays by established and emerging playwrights in New York and Manila. Some recent production dramaturgy credits include Nicolas B. Helly Minarti is an independent dance curator and researcher based in Jakarta. From to , Helly was the Head of Programme for the Jakarta Arts Council JAC , during which she coordinated a collective curatorial process across various arts forms.
At JAC, she co-initiated Choreolab: Process in Progress , a programme designed as a dramaturgical intervention for young choreographers to foster criticality, informed by her experience dramaturging and producing for Indonesian choreographers. She produced for choreographer Fitri Setyaningsih from to Her most recent project was curating Gaze.
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The project comprised an exhibition, choreographic presentations and a symposium to explore the discourses and practices of Orientalism throughout history. He obtained his PhD in Japanese Studies from National University of Singapore, specialising in theatre translations, intercultural theatre and cultural policy. Ken also works in theatre as a dramaturg, translator and producer. Heng Leun strongly believes in engaging the community in his works to promote critical dialogues about the world we live in.
He is one of the most important theatre practitioners in Singapore advocating applied and engaged arts. In recent years, Heng Leun has been actively advocating cultural exchanges and dialogues among artists and cultural workers in the region as well as internationally. He has also taken up teaching, curatorial and dramaturgical roles in many projects. Heng Leun also strongly believes in the importance of research and documentation of theatre and performance.
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In , he was presented the Outstanding Young Person Culture award in recognition of his contribution to the local arts scene. Lachlan Philpott is a Sydney-based playwright. His latest upcoming work is Lake Disappointment staged by Carriageworks Sydney. In , Lachlan was awarded an Australia Council Cultural Leadership grant to study new play development models in several countries. Since , she has been making efforts to introduce the German concept and working methods of Dramaturgy into China.
At the beginning of , she established the Faculty of Dramaturgy and Applied Theatre at the Central Acedemy of Drama and took up its Director position. Lim How Ngean is a performance-maker, dramaturg and dance researcher who has been actively involved in the performing arts for over 20 years. He is also the founding director of the Asian Dramaturgs' Network, which will hold its inaugural symposium in Singapore in April Research Project Dramaturgy and Multiculturalism — A British Context I propose to interrogate the role of the dramaturg in developing work by playwrights of diverse backgrounds in the UK.
New Theatre Quarterly 23 3 , Turner, C. K, Dramaturgy and Performance , London: Palgrave, Brewer M, Goddard l, Osborne D, eds. Croydonites Festival of New Theatre Croydonites is a festival of contemporary theatre and performance from artists based in Croydon and around the UK. Boundless Theatre Boundless Theatre Company is a designer-led organization that believes that theatre needs to be inquisitive and innovative. We represent the diversity of our community by collaborating with multi-ethnic and multilingual artists from all over the world.
We are committed to creating productions of new and existing work that pushes the boundaries of cultural conception by reinventing stories, and by the creation of imaginative, visually mesmerizing theatre. Magic Me Magic Me is an arts charity that brings the generations together to build a stronger, safer community.
MA World Theatres | Goldsmiths, University of London
Our projects often link unlikely partners. Intergenerational groups meet on a weekly basis in schools, museums, older peoples clubs, care homes, community and cultural organisations. Projects are led by our team of freelance creative artists: musicians, dancers, photographers, printmakers, writers and drama specialists. They design activities to stimulate conversation and an exchange of ideas. Participants are often diverse in culture and faith as well as age group. M-Set Our multi-sensory process of working creatively should be of value in itself. Using a full range of technical resources including lighting, sound and special effects the children will be encouraged to get involved with all aspects of the workshop.
They will touch, move, listen, play and create, gradually converting their workspace into an imaginary environment. The Challenge We design and deliver programmes that bring different people together to develop their confidence and skills in understanding and connecting with others. Unicorn theatre The Unicorn is the UK's leading professional theatre for young audiences, dedicated to inspiring and invigorating young people of all ages, perspectives and abilities, and empowering them to explore the world — on their own terms — through theatre.
Young Vic: At the Young Vic, we tell stories that change the way people look at the world. Our shows are created by some of the world's great artists - of this generation and the next.
Department of Philosophy and Humanities
With roots deep in our neighbourhoods, we reach out to theatre-makers across the globe. We have the most diverse and engaged audience in London, enjoying work of the highest quality at low prices. In our award-winning super-flexible theatre, you'll never feel you're in the same place twice. Reflecting on our practice; pursuing peer-to-peer learning. Mousetrap Theatre Projects Mousetrap Theatre Projects is a theatre education charity dedicated to bringing the magic of theatre into the lives of young people.
Gendered Intelligence Our mission is to increase understandings of gender diversity through creative ways. Our vision is of a world where people are no longer constrained by narrow perceptions and expectations of gender, and where diverse gender expressions are visible and valued. We work predominantly with the trans community and those who impact on trans lives; we particularly specialise in supporting young trans people aged Posted about 1 hour ago by Uni of East London.
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