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Anything else? Provide feedback about this page. Back to top. Get to Know Us. The art he made in that brief, fecund time is the focus of a two-meals-for-the-price-of-one MoMA feast.
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It sticks to vintage prints and brings a wonderful lucidity to a persistent balance of art and humanity that is, as it is frequently described: strange, mysterious and irresistible. In one she describes how scientific philanthropy in the 19th century directed wealth to museums and other public institutions rather than the poor, while another video delves into how MoMA itself interacted with revolutionaries and communists, like the Mexican muralist Diego Rivera. Martha Schwendener. This crowded design exhibition presents a variety of self-empowering things that people can make and do for themselves like build their own furniture and bicycles; make new appliances from functional parts of old, broken ones; raise money for bigger projects by means of Kickstarter; and, more problematically, make their own functional handguns using 3-D printers.
This beautiful show is a record of Ms. An overview indicates how the young Hopper shaped and toughened his versatile gifts into a singular vision.
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It is altogether a terrific treat for minds and eyes. Grolier Club, 47 East 60th Street, Manhattan, , grolierclub. Three fanatically realistic life-size sculptures of naked humans are paired with two video installations that reveal the meticulous casting process behind their ecstatic, mysterious exactitude.
Morgan and given to the Met. Here, nine of these works, all from , are installed in one room at regular intervals creating a trippy visual chamber music. Elsewhere, glowing constructions of glass panes in geometric arrangements could be models for updates of Stonehenge, monuments for a new cosmic paganism. Nyehaus, West 20th Street, , nyehaus. Looking closely you see that the waves have big, stretchy eyes, suggesting the sense of a self carried away by its own stormy feelings. ZieherSmith, West 20th Street, , ziehersmith. John the Divine is an occupied zone this spring, with a transient population of unearthly beings camped out in its chapels and aisles.
Neither angels nor devils, though suggesting both, the figures in the sculptural tableaus and related photographs were all created by the South African artist Jane Alexander. Instead, painstakingly calibrated ambiguity leaves this strange and wonderful show open to political speculation and spiritual interpretation.
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Cathedral Church of St. At the Parrish, earlier renderings of fantastical machines and architecture give way to games: elaborate, multicolored drawings based on tantric diagrams, ancient illuminated manuscripts and 19th-century British game boards, among other sources. It should be seen by anyone interested in the history of recent art and its oversights. Defiantly modest, they parse Minimalist space, measuring it openly with non-Minimalist objects small stones, walnuts, burned matches often annotated with writing or drawing in chalk, repeatedly locating the place where language, counting and dimensional experience overlap, to the confusion and excitement of eye and mind.
Some introduce new forms but are actually derived from his early collages. Others expand on more recent works with changes in material and color.
Instead, this child of the working-class Bronx largely taught himself and evolved an altogether sharper and more original manner, politically and pictorially. This fantastic little five-decade survey summarizes his development and his ability to weave history, architecture and layered social criticism into remarkable tapestry-like compositions that teem with human activity good and bad, homey details and a spectrum of glowing colors. Each drawing is a feat of representation and an act of homage that converts the infinitely reproduced into something discernible only with the naked eye.
David Zwirner, West 19th Street, Chelsea, , davidzwirner.
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His Photo Realist paintings are uniformly lifeless. The best works are a magenta stainless steel balloon sculpture inspired by the Venus of Willendorf and an inflatable gorilla, rendered in a dark material that resembles plastic or bronze but is actually polished granite. Gagosian Gallery, West 24th Street, Chelsea, , gagosian. It makes for a striking specificity. Her compositions are based on drawings of various weather conditions off the coast of Ireland, and are most convincing when seas are becalmed, and the marks meander, least when Turneresque storms of slashing lines prevail.
Morgan Lehman, West 22nd Street, Chelsea, , morganlehmangallery. All agreed to pose, standing in the middle of nowhere at night, illuminated only by stars, moon and a flashlight wielded by the artist. The isolation and darkness envelops all of these in Ms.