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The central element of global security governance, the one factor that presents a road fork between the paths to peace and to war and which also is a precondition to successful management of several other important issues, thus concerns the relations between the major powers. If they cooperate, global security governance becomes a viable opportunity. The starting point of our research consists of the actual positions, attitudes, and policies of the great powers of the 21st century: What are their interests, values, aims and practices? In particular what kinds of justice claims are incorporated in their foreign and security policy?

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Historically, these claims have been especially present in eras of power transition. In such situations the following factors play a prominent role: a supposedly justifiable claims of status and participation rights articulated by the great powers regarding their relations and interactions amongst themselves; b conceptions of a just world order; and c national interests. On the basis of such an inventory of national positions - material interests as well as ideas - we can approach the question about which norms, procedures, and institutions are necessary to foster an arrangement of peaceful cooperation among the great powers of the current international system.

To be adequate, such an arrangement has to include provisions which are able to incorporate great powers into a joint project of war prevention, even if they have different systems of political rule, competing justice claims, and diverging ideological backgrounds that are embedded in their national political cultures and reflected by their societal norms.

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The Concert was able to incorporate liberal Great Britain and France after and conservative Austria-Hungary, Prussia, and Russia powers even in a time of rapid social, economic and political change and friction. For more than one generation it was able to prevent the outbreak of great power wars in Europe. She ranks among the most talented of violinists.

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She made her Deutsche Grammophon recording debut in with an album featuring works by Mendelssohn, Schubert and Prokofiev. Munich-based Ye-Eun Choi was born in Seoul.

She made her orchestral debut at age 10 with the Seoul Philharmonic Orchestra. She graduated in with a Konzertexamen.

Robert Schumann attending Paganini concert , caprice No. 17

For further information please see the website www. Violin Sonata No. Hungarian Dancer No. Bartok Violin concerto No. Beethoven Violin concerto in D major, Op.

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Brahms Concerto for violin, cello and orchestra A minor, Op. Glazunov Violin concerto in A minor, Op. Mendelssohn Bartholdy Violin concerto in E minor, Op. Mozart Violin concerto No.

Yannick Nézet-Séguin and Ye-Eun Choi

Paganini Violin concerto No. Prokofiev Violin concerto No. Sibelius Violin concerto in D minor, Op. Vieuxtemps Violin concerto No. Wieniawsky Violin concerto No. Beethoven Sonata No. Brahms Sonata No. Ravel Sonata in G major R. Strauss Sonata in E-flat major, Op. Ye-Eun Choi. English Deutsch.

  1. Sauer, E. Von: Piano Music (Complete), Vol. 1 (Etudes De Concert I) by Emil von Sauer on Spotify.
  2. Accessibility links;
  3. Fehler: Münchner Philharmoniker.

Pittsburgh Post-Gazette. Quote 2 — Pittsburgh English March 25th, Axel. Sticky Post On June 7, Sticky Post On June 4, Sticky Post On March 1, Ye-Eun is an extraordinarily gifted individual, with a truly impressive combination of musical sensibility and courageous virtuosity. Anne-Sophie Mutter.

Quote 1 March 13th, Axel. Ms Choi plays a violin from J. Guadagnini, Parma c. Vita October 11th, Axel. All Photography Video. Bruch: Violin Concerto No. Wieniawski Video. Ye-Eun Choi press photo 8 Photography. Ye-Eun Choi press photo 5 Photography. Ye-Eun Choi press photo 4 Photography. Ye-Eun Choi press photo 7 Photography. Ye-Eun-Choi press photo 6 Photography.