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Minority Report was one of the best-reviewed films of and was nominated for several awards. Over four million DVDs were sold in its first few months of home release. In April , Washington, DC 's prototype PreCrime police department stops murderers before they act, reducing the murder rate to zero. Murders are predicted using three mutated humans, called "Precogs", who "previsualize" crimes by receiving visions of the future.

Would-be murderers are imprisoned in a benevolent virtual reality. The Federal government is on the verge of adopting the controversial program nationwide. Since the disappearance of his son Sean, PreCrime Captain John Anderton has both separated from his wife Lara and become a drug addict.

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While United States Department of Justice agent Danny Witwer is auditing the program, the Precogs generate a new prediction, stating Anderton will murder a man he does not know named Leo Crow in 36 hours. Anderton flees the area as Witwer begins a manhunt. Anderton seeks the advice of Dr. Iris Hineman, the creator of PreCrime technology. She reveals that sometimes, one of the Precogs, usually Agatha, has a different vision than the other two, a "minority report" of a possible alternate future; this has been kept a secret as it would damage the system's credibility.

Anderton resolves to recover the minority report to prove his innocence. Anderton goes to a black market doctor for a risky eye transplant so as to avoid the citywide optical recognition system. He returns to PreCrime and kidnaps Agatha, shutting down the system, as the Precogs operate as a group mind.

Anderton takes Agatha to a hacker to extract the minority report of Leo Crow, but none exists; instead, Agatha shows him an image of the murder of Ann Lively, a woman who was drowned by a hooded figure five years prior. Anderton and Agatha go to Crow's hotel room as the hour time nears, finding numerous photos of children, including Sean's. Crow arrives and Anderton prepares to kill him, accusing him of being a serial child killer. Agatha talks Anderton out of shooting Crow by telling him that he has the ability to choose his future now that he is aware of it.

Crow, however, begs to be killed, having been hired by an unknown entity to plant the photos and be killed in exchange for his family's financial well being.

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Crow grabs Anderton's gun and pulls the trigger, killing himself. Anderton and Agatha flee to Lara's house outside the city for refuge. There they learn Lively was Agatha's drug-addicted mother who sold her to PreCrime. Lively had sobered up and attempted to reclaim Agatha, but was murdered. Anderton realizes he is being targeted for knowing about Lively's existence and her connection to Agatha.

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Witwer, studying Crow's death, suspects Anderton is being framed. He examines the footage of Lively's murder and finds there were two attempts on her life, the first having been stopped by PreCrime but the second, occurring seconds later, having succeeded.

Witwer reports this to the director and founder of PreCrime, Lamar Burgess, but Burgess responds by killing Witwer using Anderton's gun. With the Precogs still offline, the murder is not detected. Lara calls Burgess to reveal that Anderton is with her, and he is captured, accused of both murders, and fitted with the brain device that puts him permanently into a dreamlike sleep.

As his body is deposited into prison, the warden tells him "that all your dreams come true". Agatha is reconnected to the PreCrime system. While attempting to comfort Lara, Burgess accidentally reveals himself as Lively's murderer. Lara frees Anderton, and Anderton exposes Burgess at a PreCrime celebratory banquet by playing the full video of Agatha's vision of Burgess killing Lively.

A new report is generated at PreCrime: Burgess will kill Anderton. Burgess corners Anderton, and explains that as he could not afford to let Lively take Agatha back without impacting PreCrime, he arranged to kill Lively following an actual attempt on her life, so that the murder would appear as an echo within PreCrime and be ignored. Anderton points out Burgess's dilemma: If Burgess kills Anderton, he will go away for life, but PreCrime will continue; if he spares Anderton, PreCrime will be discredited and shut down.

Anderton reveals the ultimate flaw of the system: once people are aware of their future, they are able to change it. Burgess instead shoots himself. Afterwards, the PreCrime system is shut down. All the prisoners are pardoned and released, although they are kept under probation-like circumstances. Anderton and Lara are soon to have a new child together, and the Precogs are sent away to an undisclosed location to live their lives in peace. Dick's story was first optioned by producer and writer Gary Goldman in Spielberg was not directly involved in the writing of the script; however, he was allowed to decide whether the picture's screenplay was ready to be filmed.

When Cohen submitted an acceptable revision, he called Cruise and said, "Yeah, I'll do this version of the script. When Anderton sees the clip, his belief in the infallibility of the precogs' visions convinces him it is true, therefore the precogs have a vision of him killing Witwer.

At the end, Anderton shoots Witwer and one of the brother precogs finishes him off, because Witwer had slain his twin. I haven't worked with many movie stars—80 per cent of my films don't have movie stars—and I've told them if they want to work with me I want them to gamble along with me.

I haven't taken a salary in 18 years for a movie, so if my film makes no money I get no money. They should be prepared to do the same. Production was delayed for several years; the original plan was to begin filming after Cruise's Mission: Impossible 2 was finished. He also rewrote Witwer from a villain to a "good guy", as he was in the short story. Cohen and Frank did not see" the "Goldman and Schusett screenplay; instead; they worked on their own adaptation. They won a partial victory; they were not given writing credits, but were listed as executive producers. Spielberg also offered the role of Witwer to Javier Bardem , who turned it down.

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After E. He wanted to consult with the group to create a plausible "future reality" for the year as opposed to a more traditional "science fiction" setting. Lynn praised his work, saying that "[a] lot of those things Alex cooked up for Minority Report , like the 3-D screens, have become real. Spielberg described his ideas for the film's technology to Roger Ebert before the movie's release:. I wanted all the toys to come true someday. I want there to be a transportation system that doesn't emit toxins into the atmosphere.

And the newspaper that updates itself The Internet is watching us now. If they want to. They can see what sites you visit. In the future, television will be watching us, and customizing itself to what it knows about us. The thrilling thing is, that will make us feel we're part of the medium.

The scary thing is, we'll lose our right to privacy. An ad will appear in the air around us, talking directly to us. Minority Report was the first film to have an entirely digital production design. The technology also allowed the tie-in video game and special effects companies to cull data from the previs system before the film was finished, which they used to establish parameters for their visuals. When Spielberg quickly became a fan, McDowell said "[i]t became pretty clear that [he] wouldn't read an illustration as a finished piece, but if you did it in Photoshop and created a photorealistic environment he focused differently on it.

Although it takes place in an imagined future world of advanced technology, Minority Report attempts to embody a more "realistic" depiction of the future. Thus Washington, D. Production designer Alex McDowell was hired based on his work in Fight Club and his storyboards for a film version of Fahrenheit which would have starred Mel Gibson.

McDowell studied modern architecture, and his sets contain many curves, circular shapes, and reflective materials. Costume designer Deborah L. Scott decided to make the clothes worn by the characters as simple as possible, so as not to make the depiction of the future seem dated. The stunt crew was the same one used in Cruise's Mission: Impossible 2 , and was responsible for complex action scenes.

These included the auto factory chase scene, filmed in a real facility using props such as a welding robot, and the fight between Anderton and the jetpack-clad officers, filmed in an alley set built on the Warner Bros.

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The holographic projections and the prison facility were filmed by several roving cameras which surrounded the actors, and the scene where Anderton gets off his car and runs along the Maglev vehicles was filmed on stationary props, which were later replaced by computer-generated vehicles. The Philip K. Dick story only gives you a springboard that really doesn't have a second or third act. Most of the movie is not in the Philip K. Dick story — to the chagrin of the Philip K.

Dick fans, I'm sure. Like most film adaptations of Dick's works, [13] many aspects of his story were changed in their transition to film, such as the addition of Lamar Burgess and the change in setting from New York City to Washington, D. The character of John Anderton was changed from a balding and out-of-shape old man to an athletic officer in his 40s to fit its portrayer and the film's action scenes. The subsequent murders and plot developed from this change. The film's ending also differs from the short story's. In Dick's story, Anderton prevents the closure of the PreCrime division, however, in the movie Anderton successfully brings about the end of the organization.

For instance in the story, Anderton uses a punch card machine to interpret the precogs' visions; in the movie, he uses a virtual reality interface. The main theme of Minority Report is the classic philosophical debate of free will versus determinism.

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The score was composed and conducted by John Williams and orchestrated by John Neufeld, with vocals by Deborah Dietrich. Williams normally enters Spielberg productions at an early stage, well before the movie starts shooting. For Minority Report however, his entry was delayed due to his work on Star Wars: Episode II — Attack of the Clones , and he joined the film when it was nearly completed, leaving him scant production time.

The soundtrack takes inspiration from Bernard Herrmann 's work. He included traditional noir elements such as a female singer in the Anne Lively scenes, but the "sentimental scenes", which Williams considered unusual for that genre, led to soothing themes for Anderton's ex-wife Lara and son Sean. In an interview which appeared in The New York Times , Williams said that the choices for many of the pieces of classical music were made by the studio. He also said that while he did not know why certain pieces were chosen, Franz Schubert 's Symphony No.

Hineman is gardening in her greenhouse. He said he picked the piece because "[i]t seemed to me to be the kind of thing a woman like this would play on the radio. Album: Strange Desire Klickt auf die Links, um das Video zu sehen von:. Got your jacket - got your coat - got your trousers Got your shoes - your co-respondent shoes? Let's go Walking - go walking Walking - go walking. Klickt auf die Links, um das Video zu sehen von:.

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Got your jacket - got your coat - got your trousers Got your shoes - your co-respondent shoes? Let's go Walking - go walking Walking - go walking. Hungrily searching through the city's rainy streets Don't look up because the sky is grey and the buildings threaten you with their size I saw a face in the window - maybe she was lonely or waiting for her lover A car does a three point turn and roars away into the distance Street lights mirrored in puddles Stray dogs with matted coats trott towards the dustbins that spew their rubbish in the road A couple arm in arm hurry to their party As a gendarme smiles at their innocent love C'mon.