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The 83 songs in this collection have been arranged to produce good The 83 songs in this collection have been arranged to produce good barbershop harmony. The selections can be sung by any quartet or 4 part chorus, male or mixed. View Product. Brutally Honest. The tell-all memoir from the loudest, proudest Spice Girl — and the truth behind the Long May He Rock! Sure to delight anyone who has enjoyed Henson's creations—seeing early drawings of Kermit and Rowlf is like smiling over childhood photos of dear friends—this lovely book celebrates Jim's life and his magic.
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Whatever the answer, creative coach Marlo Johnson offers the encouragement and guidance needed to move on to the next step. With tips for overcoming blocks, staying motivated, and even sharing finished work with the world, Create Now! When the Movies Mattered - The Ten eminent contributors, some of whom wrote about the New Hollywood movement as it unfolded across the s and s, assess the convergence of film-industry developments and momentous social and political changes that created a new type of commercial film that reflected those revolutionary influences in American life.
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So, some very vital and important decisions had to be made. This is a full-time occupation, not a hobby. So … there you are! The concept of Queen was to be regal and majestic. Glamour was part of us, and we wanted to be dandy. We wanted to shock and be outrageous. The idea of Queen was conceived by me whilst studying at college. Brian, who was also at college, liked the idea and we joined forces. I used to follow Smile a lot and we became friends. I used to go to their shows and they used to come to see mine.
But the group was plagued by bad luck. I was saying to Brian and Roger, Why are you wasting your time doing this? You should do more original material. You should be more demonstrative in the way you put the music across. We thought our musical ideas would blend. Then we met John Deacon [in July ] and decided to call the band Queen. I thought up the name Queen early on.
It was a very regal name and it sounded splendid.
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It had a lot of visual potential and was open to all sorts of interpretations. It lent itself to a lot of things, like the theatre, and it was grand. It was very pompous, with all kinds of connotations. It meant so much. I was certainly aware of the gay connotations, but that was just one facet of it.
Freddie Mercury: His Life in His Own Words - Read book online
Anyway, we always preferred to think of Queen in the regal sense rather than in the queer one. We were confident people would take to us because although the camp image had already been established by Bowie and Bolan, we were taking it to another level. At that moment we were just interested in creating a reaction amongst those who came to see us.
There was a long gap between actually forming Queen and having a recording contract.
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We were into glam rock before groups like the Sweet and Bowie, and we worried that we might have come too late. Our way was to put together a different kind of theatrical music.
I think when everybody starts off they get a label. Journalists try and put you in a compartment and label you.
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With any band that starts now, they say they sound a little bit like Culture Club or whatever. We sounded a little bit like Led Zeppelin, because we had harmonies and things, and so they put us in that sort of category. We were labelled so many different things.
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I think people have said things about us and then changed their minds after listening to an album. In the end we had our own stamp — we had the Queen stamp. We had our trademark.
A lot of bands that came after us were told they sound like us and they were not very pleased either, but you have to go through that from the start. We had a lot of belief to start with, but I thought it would be over after five years and I would be doing something else. It grew and grew, and, remember, we had all been in various bands before, so we had plenty of experience of what not to do, and how not to be flabbergasted by the first rosy offer from record companies.
The moment we made a demo [in ] we were aware of the sharks. We went to probably every record company before we finally settled on one. We approached it that way because we were not prepared to be out-of-work musicians, ever.