All'epoca gli abitanti erano circa Una parte fu requisita dalle forze militari alleate, che lo attrezzarono rapidamente per le loro esigenze; per l'uso civile occorreva partire da zero. Sul finire degli anni sessanta furono definite anche le linee guida per lo sviluppo delle altre infrastrutture: la Variante Aurelia , la Strada di grande comunicazione Firenze-Pisa-Livorno , l' Autostrada A Gli abitanti raggiunsero il massimo storico nel , con quasi In questo scenario, risultano assai contrastanti i dati relativi al turismo.
Altri progetti. Da Wikipedia, l'enciclopedia libera. Toscana , Milano , p. Tognarini, A. Varni, Le Voci del lavoro: 90 anni di organizzazione e di lotta della Camera del lavoro di Livorno , , p. Ciccone, Livorno, il mistero del nome PDF , su livornocomeera. URL consultato il 12 aprile Ciccone, Livorno: il misterno del nome , in "Il Pentagono", n.
Tullii Ciceronis epistolae ad Atticum: ad Quintum fratrem et quae vulgo ad familiares dicuntur , su books. URL consultato il 6 agosto Nudi, Storia urbanistica di Livorno , Venezia , pp. Cauli, G. Messeri, M. Taddei a cura di , Archeologia e Territorio Livornese. Atti II Seminario , Livorno , p. Nudi, cit. Vigo, Livorno. Aspetti storici-artistici , Bergamo , p.
Ducci, "Portus Pisanus". Ceccarini, Fiorentina: storia di un territorio. Parte I , in "Il Pentagono", n. Zucchelli, G. Ciccone, I primi ospedali di Livorno. Parte II , in "Il Pentagono", n. Ferretti, La Fortezza Vecchia , Livorno , p. Panessa, O. Vaccari, Livorno, il primato dell'immagine , Pisa , pp. De Luca, Le mura intorno: sulla traccia delle antiche fortificazioni di Livorno , Pontedera , pp. Frati, Livorno nelle antiche stampe. Vaccari, cit. Piombanti, cit. Ceccarini, Dal Villano alle Livornine , su livornodellenazioni. URL consultato il 10 giugno URL consultato il 25 luglio URL consultato il 17 agosto Matteoni, Livorno , Roma-Bari , pp.
Matteoni, cit. Hollis, Historic Paris Walks , , pp. Watkin, A History of Western Architecture , , p. Pevsner , Storia dell'architettura europea , Bari , p. Panessa, La Livorno delle Nazioni. I luoghi della preghiera , Livorno , p. Giunti, "This bit of England on foreign soil": note sull'antico cimitero degli inglesi di Livorno dal a oggi , in M.
Giunti e G. Lorenzini a cura di , Un archivio di pietra: l'antico cimitero degli inglesi di Livorno: note storiche e progetti di restauro , Ospedaletto Pisa , p. Panessa, cit. Puntoni, cit. XIII, , p.
Gianni Berengo Gardin bibliography - Wikipedia
Le aree che nel furono incluse nel Capitanato Nuovo dipendevano da vari enti. Si rimanda a R. Mazzanti, Il Capitanato Nuovo di Livorno Due secoli di storia del territorio attraverso la cartografia , Ospedaletto Pisa Malanima, La fine del primato. Crisi e riconversione nell'Italia del Seicento , Milano , p. URL consultato il 4 giugno Cfr A. Prosperi, Livorno, luogo di incontro tra popoli e culture , , p.
Si veda G. Harris, Livorno e l'Italia, due paesi a confronto , in Editori, tipografi e lumi. La stampa a Livorno dal al , Livorno Argiero, A. Kaufmann , L'architettura dell'illuminismo , Torino , p. Middleton, D. Watkin, Architettura dell'Ottocento , Martellago Venezia , p. De Fusco , L'architettura dell'Ottocento , Torino , pp. Landi, La Leopolda. La ferrovia Firenze-Livorno e le sue vicende , Ospedaletto Pisa Moly Feo, Livorno nel "Grand Tour". Guida ai luoghi letterari , Livorno URL consultato il 19 agosto Dal Congresso di Vienna ai giorni nostri , su books.
Santini, anni di Livorno , Pisa , p. Marchi, U. Donolo, L'Accademia Navale. Ciorli, Livorno: storia di ville e palazzi , Pisa , p. Canessa, cit. Canessa, Livorno Canessa, Livorno , cit. Bortolotti, cit. Matteoni, F. Cagianelli, Livorno, la costruzione di un'immagine. Santini, Costanzo Ciano , , p.
Ceccarini, Il Palazzo Grande , su academia. URL consultato il 12 gennaio The Crossroads of Dreams Yume no chimata in Japanese is the point at which the two intersect. The photographer, during a trip to Japan, tries to render the overlapping and coexisting of the two dimensions; he does so by alternating between the sumptuous black-and-white of the Ilford films and the muted tones of Polaroid, managing thus to represent the multiple expressions of the Japanese world and the corresponding perceptions that we have of it.
In a game of correspondence the arts dialogue thanks also to photography: contemporary dance, performance, land art and theater become a holistic work of art. Starting with a reportage on a video clip, Di Leo and Alfano create a performance where the dancers, with pure vitality, exhibit themselves with the Cretto di Burri "The Great Cretto" , a static and colossal memorial emblazoned on the territory, as a backdrop. The moment, frozen in its tragedy and affixed onto the landscape by Burri, is brought back to life and made into movement by the dancers, whose body recalls the colors of the earth.
The special feature of the photographs of Bucciarelli - taken from to - is that they are taken with the Pinolina: a camera that is stripped of technology and of the superfluous, almost like a migrant is forced to divest himself of all his baggage. A previously unpublished part of the project will be presented: the author printed some photos in large sizes and exhibited them in urban areas to establish an interaction with the public.
Fatoumata Kebe lavora a una tesi in astronomia presso l'Observatoire de Paris. Le fotografie in mostra sono realizzate da fotografe con lo scopo di mostrare il ruolo scientifico determinante che le donne svolgono nel settore spaziale. In mostra sono ritratte tre generazioni di scienziate, ricercatrici e studentesse di diverse appartenenze, contesti e provenienze.
The photographs on display have been taken with the aim of showing the key scientific role that women play in the space sector. Even if scientific findings are rapidly evolving, the same does not happen with gender equality. The underlying assumption is that the presence of women, albeit significant during the academic years, is not adequately reflected in the workplace.
The show portrays three generations of female scientists, researchers and students from different affiliations, contexts and backgrounds. Man faces the cosmos, alternating a sense of inferiority with a push towards knowledge. The projection of the labyrinth on the telescope symbolizes the desire of the artist to reconnect us to what really belongs to us: from the essence of the stars to what our cells are made of.
The artistic research that finds its expression in bathrooms and in the objects that compose them is not only of Dadaism made. Il reportage di Maja Galli fa risuonare ancora una volta quella musica: una musica di cui si conosce la melodia ma che sorprende sempre con le sue parole. The first time the eyes open on Cuba it is inevitable to dwell on those characteristics that are universally renowned: the American '50s cars, the colours, the dance, the wild and majestic natural landscape, the cigars and the old signboards. Yet nothing is as surprising as finding the melody of these places, so distant in time and space, familiar.
The report by Maja Galli makes that music resound once again: a music for which the melody is known but that always surprises with its words. Vincenzo Agnetti, forerunner of conceptual art, is investigated through a series of works dated Several works are selected and displayed, showing, in unison, the artist's poetic expression, characterized by a deep reflection in which one cannot miss the archetypal theme of tempus fugit.
Con Chris LunaticSlayer si esplorano i rituali e le case tongokan dei Toraja, popolazione indonesiana le cui abitazioni ricordano le forme delle navi. Con Rosa ci si concentra sui tratti di strada, terra, aria o acqua che si percorrono per arrivare da un punto a un altro. Tanti percorsi diversi che diventano un solo viaggio: iniziato, ma ancora da terminare.
Two exhibitions, two ways of looking far: the sedentary habits of distant peoples and the journey as an experience in itself. Chris LunaticSlayer explores the rituals and tongokan houses of the Toraja, an Indonesian people whose homes resemble the shapes of ships. Rosa focusses on stretches of road, land, air or water that can be used to get from one point to another.
Many different paths that become a single trip: started, but not yet finished. Manicomio Fotografico cura due mostre che fanno del viaggio il leitmotiv. Costi presents a series of scenes of everyday life from the countries of Southeast Asia, scenes linked by the common thread of work, which, though ordinary in their country of origin, appear to us extraordinary. Callegari explores the daily path of human beings through the bus journey, by photographing bus shelters in the area of Parczew, Poland: where the artificiality of the object collides with the singularity of the same.
Raisoni ha voluto fotografare, con un senso estetico quasi classico e monumentale, quelle industrie che hanno saputo diventare eccellenza resistendo agli avvicendamenti economici e perseguendo i propri obiettivi senza compromessi. Lontani dalla comune idea di bellezza, gli spazi industriali descritti da Raisoni sono composti in maniera perfetta, calati nel tempo presente.
The industrial world is once again the protagonist. Raisoni wants to capture, with an almost classical and monumental sense of aesthetics, those industries that have managed to excel resisting economic fluctuations and pursuing their own goals without compromises. Roberto Raisoni Industriae Este! Guido delli Ponti Via Luigi Vitali 1 Ponti x L'Arte once again promotes the ironic and irreverent genius of David McEnery, the photographer of slapstick comedy.
One of the themes favoured by the British photographer was that of the animal world, in particular of dogs and cats, which he explored causing the observer to smile and experience a virtual Pet Therapy. Emblematic and symbiotic situations: human figures who identify with the animal figures, animals who are dramatized and celebrated.. Le opere sono simultaneamente elemento reale e sua trasfigurazione temporale, suggerendo un continuo rimando, una sospensione di momenti e luoghi e a volte anche un senso di spaesamento.
The works are simultaneously real elements and temporal transfigurations, suggesting a continuous referencing, a suspension of times and places and sometimes even a sense of disorientation. Cotroneo assume il punto di vista acritico di un osservatore intento a ricercare il rapporto tra lo spazio quasi sacro storico-museale e la figura umana. Il raccordo tra il passato del museo e il presente del fruitore si declina in fotografie classiche ed eleganti nella forma, eppure immediate e disincantate nei contenuti.
La figura umana con il suo abbigliamento e le sue ossessioni costruiscono, in rapporto allo sfondo storicoartistico, la nostra immagine contemporanea. Genius Loci is born in Rome, the museum-city par excellence. Cotroneo takes the uncritical point of view of an observer intent on exploring the relationship between the historical almost sacred museum space and the human figure. The connection between the past of the museum and the present of the visitor is shown in classic photographs that are elegant in form, yet immediate and disenchanted in content. In Italian, Interludio means an "interlude, a short series of facts that constitute a parenthesis, an interruption, a distraction in the normal course of events ".
In the photographic and artistic language of Ghigliazza and Calzi, the word takes the form of a silent suspension that elicits a sense of anticipation in the observer. The photographs, with their perfect composition of objects and human figures, do not create an abrupt interruption but a muffled diversion from everyday life. One glance is enough to recognize the unmistakable light of the south of Italy, and the landscape, arid and at the same time full of passion and feeling, of the Salento. Pio Tarantini, born in Salento, returns and reviews his place of origin, and photographs it marrying an analytical approach with visionary talent, choosing symbolic places and marginal aspects often captured in the vivid light of dusk.
The results are powerful images, lyrical and strongly characterized by the artist's distinctive language. In Masks, Cattaneo and Monnecchi, albeit in different ways, talk about the transformations impressed by man on that which surrounds him. The two photographers, each in his own way, capture the anthropomorphic aspect of the everyday. Cattaneo presents, through pure blackand-white, man's interventions on abandoned objects, common things unaware of the push towards transformation given to them.
Monnecchi captures the almost human features discovered by happenstance in the corners of the city, urban features that seem to observe us. Cattaneo si concentra sulle reazioni chimiche impresse sulla carta fotografica dagli acidi. Ne risultano superfici trasfigurate che ricordano galassie e atmosfere stellari. Cremona gioca con i colpi della luce, con policromie di superfici che riflettono, mostrano e nascondono. Sometimes expressive research focuses solely on the potential of the medium, heedless of shooting technique or of post-production: this is how Cattaneo and Cremona have created a body of images that refer to less figurative pictorial possibilities.
Cattaneo focusses on chemical reactions imprinted on photographic paper by acid. The resulting transfigured surfaces are reminiscent of galaxies and stellar atmospheres. Cremona plays with beams of light, with the polychromies of surfaces that reflect, show and hide. I colori non sono negli oggetti ma nella nostra mente, sono una codifica individuale propria di ognuno di noi. Come apparirebbe il mondo in cui viviamo se potessimo vedere il calore emesso o riflesso?
Ovvero come vedremmo il nostro da alieni, arrivati sulla Terra da una lontana nebulosa. Real and unreal are concepts related to the senses through which we perceive reality. The colours are not in the objects but in our minds, they are represented by coding which is individual for each of us. How would the world in which we live look if we could see emitted or reflected heat?
IR thermophotography allows us to explore this concept by creating a new aesthetic, made of colours that encode temperature and not light. IReality is a journey into an alien world. Or as we would see ours if we were aliens arrived on Earth from a distant nebula. Agostino Tram 2, 9, 14, 19 — Bus I ritratti raffigurano persone al lavoro le cui fatiche quotidiane sono enfatizzate con leggerezza dalla tecnica del Light Painting.
The cornerstones of this exhibition are contained in the title, Still Job: irony, unbalancing, suspension and work. An important issue at a time when the social focus is on the search for employment. The portraits depict people at work whose daily trials are delicately emphasized through the Light Painting technique.
An active participation is required of the subjects, arousing curiosity thanks to the presence of elements, made obvious or hidden, that elicit questions and irony. Perfetto, infinito e per sempre". Perfect, infinite and forever. Agostino Tram 2, 14, 9, 19 — Bus Spazio, luce, tempo, misura: su questi pilastri si fondano architettura e fotografia. Space, light, time, size: both architecture and photography are based on these pillars.
Anna Ricca affronta la tematica del crimine isolando oggetti, banali, appartenuti a vittime e protagonisti di noti fatti di cronaca. The border between the documenting of reality and critical-artistic reflection can be very porous. Anna Ricca addresses the issue of crime by isolating banal objects that belonged to the victims and protagonists of well-known news stories. The objects, from simple everyday elements, are charged with meaning and endowed with a multitude of senses and feelings. Shown in a vacuum, they also communicate the feeling of suffocation given by the precariousness of the investigations and of the overturning of rulings.
Agostino — Tram 2, 9, 14, 19 — Bus The photographs of Margherita Cavallo are, as she herself defines them, "a stream of consciousness where punctuation is totally absent". There is no common thread that links them, if not the artist's unconscious that manages to make poetry and image even out of trivial aspects of everyday life: the water in the sink, overlapping objects, a walk along a beach after a storm.
Realizzata in occasione della presentazione del libro Trasfigurazioni di Edegildo Zava, Massimo Fiameni Editore, la mostra percorre tre filoni che molto devono alle metamorfosi di classica memoria. Created for the presentation of the book "Transfigurations of Edegildo Zava" Massimo Fiameni Editions , the exhibition runs through three strands that owe much to the metamorphoses of classical memory. The "Pavese" series overlaps and rereads memories of adolescence in the light of Cesare Pavese's novels; in "Verdi" the arias of the Maestro are reassessed and shaped by memories, by the past and the present; "Poltergeist" is a search for evanescence in the rapid, fluid and material life of the metropolis.
Ambrogio — Tram 2, 3, 14 Bus A suspension between what was and what will be: manifest and visually evident in environments undergoing building renovation or furniture removal, the suspension becomes, in essence, a sense of Time, of Waiting, of Life. Addressing the issue with a strictly photographic vocabulary, Andrea Boyer makes no secret of depicting something essential both in front of the lens and in the compositional projection on the receiving medium with the express intention of going beyond the manifest subject.
Giovanna Taddei is an ironic and direct photographer, who works with street photography and thus has learnt to transpose onto reality her ability to grasp sarcasm. In this photographic series irony becomes the common thread through which to build and tie the photographed subjects many of whom are themselves photographers to the world of cooking and of chefs.
Abstract in progress
With her subjects becoming unwitting actors, the illusions created by Taddei are crystallized in images and all the viewer can do is surrender to imagination and to the surreal. La Metropolis di Cirulli trae la sua ispirazione dalle atmosfere allucinate e profetiche della Metropolis di Fritz Lang: le sue costruzioni fotografiche sono sovrapposizioni frutto di un bianco e nero drammatico e di una postproduzione che lascia pochi riferimenti oggettivi.
The photographer leaves the viewer to navigate these urban non-places and forces him to look- within the dimension of reality that is now in the mind- for the original starting-point image. Tanti frammenti di immagini senza tempo sono accostati con un filo conduttore autoreferenziale. Carolina Pagani creates a conceptual photographic performance where the self is the ground for exploration. Several fragments of timeless images are juxtaposed with a self-referential common thread. The construction of the unit of time is left to the viewer who, in a human attempt to "move forward", will have to reassemble the pieces.
Le fotografe Belloni e Branca si muovono nello spazio al confine tra terra e cielo, una linea di separazione labile dove i due elementi a volte si confondono. The photographers Belloni and Branca move in the space at the boundary between earth and sky, an ephemeral dividing line where the two elements sometimes get muddled. There are the pure landscapes of the one and the voices of clouds of the other, in a constant dialogue between sky and earth, in a space that becomes of the mind, where time is suspended and where imagination finds refuge.
Gli ideatori si riuniscono sotto il nome di Pinpix: un gruppo di appassionati di fotografia stenopeica e di cultura digitale in cui la fotografia pinhole incontra i pixel. Invisible strings is a photographic project, product of an ode to slowness. The protagonist pinhole "camera" is obtained from the soundboard of a guitar; the invisible strings are the strings of the guitar itself, forced into invisibility as they become impossible to catch with the long exposure of the pinhole. There are two constants in the research of the three photographers of Memories in Blue: the use of cyanotype photography and the exploration of the very human yearning to be remembered.
On these two pillars are built three points of view: that of Zancana and his abandoned places animated by forgotten items; that of Di Fazio and his room, always obsessively the same one, captured year after year during the same occasion; and that of Pirez and his objects, distant traces of childhood that try to lodge themselves deeply within us.
Photography as the result of estrangement: reality, threedimensional by nature, is shown on the two-dimensional photographic plane, and is then finally re-made tridimensional through post-production techniques that recall the stereoscopy of pioneering photography. The effect is one of dizzying disorientation, as the observer must make an effort to put into focus a reality which is distorted towards excess.
Ambrogio — Tram 2, 3, 14, 15 Bus Con uno sguardo insieme diretto e visionario restituisce tante piccole storie che colpiscono per la loro fantasiosa immediatezza. Assiduous traveler in Eastern Europe, Sara Munari listens and reports- through photographs that are each a story in its own right- a dialogue between urban legend and folklore, the sacred and the profane, charm and sadness, past and present. With a gaze that is both direct and visionary she gives us many small stories that are striking for their imaginative immediacy.
Bisogna avere sguardo attento e forte immaginazione per capire dove viviamo: Lia Stein si avventura in questo mondo per svelarcene inaspettate sfumature. Per un verso ci fa notare che siamo immersi in strutture geometriche che allargano la visione e indicano prospettive: sono linee che si intersecano, segmenti che si uniscono, semirette che sfidano il cielo. Watchful eyes and a vivid imagination are necessary to truly understand where we live: Lia Stein ventures into this world to show us its unexpected nuances. On the one hand, she tells us that we are immersed in geometric structures that widen the vision and point to perspectives: intersecting lines, segments that come together, half-lines that challenge the sky.
On the other hand, she immerses herself in a journey where details are woven together to form an overarching view, where white is juxtaposed to black, emptiness alternates with fullness, and light breaks unabashedly through space. Rigamonti guarda al mare con una lente multifocale. Rigamonti looks at the sea under a multifocal lens. The Italian coast, represented in a luminous and ethereal atmosphere, with its pastel colors rich in poetry and harmony, is explored in its silent places and crowded spaces, is photographed with the sun at its birth and at dusk.
The seascape as an extension of a way of looking at life, a magnetic challenge; charming and boundless it transposes reality on a metaphysical plane. A body wanders around the space that once housed the dynamism and energy of a productive activity of which there is now no trace. From the windows, blades of light are projected onto the floor; everything is wrapped in a suspended silence. Marco Neri si ispira ai s oggetti di Giorgio Morandi, elementi di una vita quotidiana, opere materiche intense ma essenziali.
Recuperando oggetti di tutti i giorni e fotografandoli come degli still life, dona a oggetti destinati al riciclo il ruolo di nuovi e assoluti protagonisti. Speaking of Morandi, Argan said that "the experience is life and life is always different Like the painter, he focuses on bottles and household products; he projects his own experience on them, thus creating a new life, a second life.
Retrieving objects of everyday use destined for recycling and photographing them as still-lives, he gives them the role of new and absolute protagonists. Armenia and its people have an intense, millenary and troubled history. Valdata has chosen to go beyond first impressions to research an Armenia that is less touristic, made of weddings, outdoor trips, pilgrimages, and convivial lunches.
His is a travel reportage that speaks to us of a vital Armenia, of university students and sellers of mushrooms, wood and corncobs along country roads. He tells us about the appearance of a distant country where history has left profound marks. Le persone sono spesso inserite in geometrici reticoli urbani che sembrano ingabbiarle, impedendo loro qualsivoglia rapporto, non solo con altri individui ma anche con se stessi.
Il vuoto fisico che le circonda riflette quello spirituale che le caratterizza. A desolate urbanity welcomes the few human figures that wander as if conveyed towards an environment of solitude. People are often forced into urban geometric patterns that seem to confine them, precluding any relationship to them, not only with other individuals but also with themselves.
The physical vacuum surrounding them reflects the spiritual one that characterizes them. Robotti coglie declino e decadenza di rose che, ignare, vanno verso il loro tramonto. Screziature, colori che si affievoliscono, increspature: sono le pieghe del tempo che risvegliano immagini e ricordi.
The observation of time passing through the dying out or blooming of petals is in its way a topos in human nature. Above all flowers, the rose is a symbol of beauty, and only time can affect its harmony, in a manner that is anyway poetic. Robotti captures the decline and decadence of roses that, unsuspecting, are approaching their sunset.
Speckles, fading colors and ripples like folds of time that awaken images and memories. Quando invece indaga sul rapporto fra i cani e i loro padroni sa cogliere con immediatezza aspetti psicologici e antropologici. Silvia Amodio, as evidenced by this exhibition from the Fondazione 3M collection, possesses, in her role as portraitist, the deliberate care of a film director and the sensitivity of one who knows how to gently probe the soul.
She often chooses difficult issues - malnutrition in Burkina Faso, the child workers of Peru, AIDS in South Africa, albinism - but she always knows how to bring out the dignity of her subjects. When instead she investigates the relationship between dogs and their masters, she knows how to pick out with immediacy both psychological and anthropological aspects.
Allison Harris apre la finestra, guarda il cielo e sente irrefrenabile la voglia di afferrare la sua macchina fotografica e puntarla verso lo spettacolo stupefacente delle nuvole che si inseguono, danno vita a forme evocative, giocano a nascondino con il sole, si scostano a liberare lo spazio e tornano frettolose a occuparlo. Allison Harris opens the window, looks at the sky and feels the irresistible urge to grab her camera and point it at the amazing display put on by the clouds that chase each other, give life to evocative forms, play hide and seek with the sun, move to free up space and then hurry back to occupy it.
The photographer gifts us with a succession of emotions because it is undeniable that by looking up to the sky we are, at the same time, searching within ourselves to discover restlessness, joy, wonder, serenity. La ripetizione di un gesto e la reiterazione di un tema portano a una conoscenza superiore che va oltre la mera osservazione. Munito di pellicola analogica e Hasselblad, Beretta coglie un silenzio irraggiungibile mantenendo il movimento come parte integrante del significato. The repetition of a gesture and the recurrence of a theme lead to a superior knowledge that goes beyond mere observation.
Beretta has been photographing Buddhist monks for over 20 years. Equipped with analog film and a Hasselblad Beretta he captures an unattainable silence, keeping movement as part of the meaning. Contemplative rather than narrative images, the intent of which is to convey the power of prayer, meditation and of the rituals of everyday life. Photography becomes performance art when an artist such as Elena Tagliapietra utilizes the medium to render an artistic thought that is usually expressed in movement into static image. Tagliapietra is a performative artist, painter of the body, and video-artist.
In The Skin becomes Canvas she tries to freeze and make tangible the work that she usually carries on bodies. The photographs capture the textures and vibrations through intense silent communication. Il corpo si fa dipinto e poi si trasforma in segno mobile. The body becomes a painting and then turns into mobile sign. The final process of her work is to capture the moments of performance, reinterpreting stories through photographs and videos.
Tagliapietra is endorsed by the Chelko Foundation in Atlanta and by VeniceForArt for her efforts in the defense of women's rights. The project, a series of intense portraits, is the result of the strong human exchange between the photographer and the Elfo actors, creating such a an understanding as to produce a new way of looking at the world of entertainment, focusing in this edition on the particular moment full of adrenalin before the curtain call.
Each box displays a photograph featuring Havana, with its architecture that remains unaltered over time and therefore timeless, with its unmistakable colours and persistence of everyday life. The observer is forced to watch Havana by focusing his gaze upward, as if brought to seek a piece of the sky. A fare da sfondo al suo ego il sogno di un immaginario on the road tutto americano. Le fotografie sono visibili dalle vetrine della Galleria.
Ego Showcase is both an exhibition and a reflection on the self and on oneself. The photographer, years ago, started a self-referential journey in the genre of self-portraiture, a path that, over the years, she has explored through different styles and techniques, constantly changing as the self evolves.
In this series Bettoja uses an IPhone to benefit from the immediacy of the instrument. The backdrop to her ego is a dream of an imaginary all-American roadtrip. Negri 4 — Quello di Di Matteo concepisce come rivelatori elementi del paesaggio che normalmente vengono intesi come barriere. Hiding can be revealing, it depends on the point of view. Di Matteo sees as revealing those elements of the landscape that are normally viewed as barriers. So a wall is no longer an obstacle between the viewer and that which it hides, but becomes an intriguing component in a metaphysical game of hide and seek.
The part of himself takes more definition, also through the interactions with his own counter-roles, and his subjective truth is affirmed on the scene. One observes it, makes it aware and transforms the part of oneself into a character through theatrical language. From this we build a narrative frame that contains it. The study is quantitative and qualitative. There are unaccompanied minor boys in the project between the age of 15 and EXIT focuses on enhancing movement, imagination, engagement, connection, here and now, safety and responsibility.
A film with the participants participating in the early intervention will be shown and the results will be presented and discussed. The lecture and film will give the participants an opportunity to understand community art work with participants who suffer from trauma, stress and loss. A workshop to explore gender identity and stereotypes with psychodrama, between temporal variables generations in comparison and spatial variables nationalities in dialogue. The experience of psychodrama in individual therapeutic work and couple therapy offers many interests.
Doubling can have the effect of touching the emotional experience, of feeling understood, of reinforcing an identity effect. The role change allows the protagonist to experience what an antagonist is going through in the therapeutic work. Together, the interest of this role taking will be decided. Psychodramatic games allow us to experience from within what has been played in a scene in the history of the past or present protagonist s. The seminar will provide an opportunity to experience these different aspects of individual and couple therapy.
It will be in French with simultaneous translation into English. The laboratory used active methods of group work and psychodrama and playback theater methodologies with the aim of promoting encounter and communication experiences among participants able to overcome linguistic and cultural differences. Some universal symbolic elements have served as a reference to connect stories and experiences lived by different people in different cultural contexts, connected to each other as experiences of the common history of every human being, small particles of the greatest universal human history.
The music, the movement and the dance offered a great support to the activities of the laboratory and allowed to realize a theatrical performance that debuted at MIToS the Italian Meeting of Teatro Sociale in Lucca and which was repeated at the Teatro Bolognini of Pistoia in the initiatives of Pistoia Capital of Culture In the theatrical performance the stories of some refugees with the live accompaniment of the Connexions band were staged, a multi-ethnic musical group that was formed during the workshop.
The Connexions band has performed some concerts for the Municipality of Pistoia and still performs musical performances in the territorial area to connect, socialize, raise citizenship awareness on issues related to immigration and as part of the integration activities of the SPRAR project, has obtained funding which allowed them to record their repertoire in a musical CD. In the laboratory, activated within the community, the psychodrama methodologies were the foundation of group work: they offered participants a good base of knowledge and mutual trust.
The theater of spontaneity was instead the area through which the group of participants was able to experiment and rediscover their creativity to design and create a theatrical performance that represented the conclusive action of the laboratory. The theatrical performance was represented in two public theatrical spaces under the patronage and co-promotion of the Municipality of Pistoia. It was also a recovery with the camera to be able to look at it from an external point of view, see yourself from outside while living, making a video that was screened before the final theatrical performance was staged.
Workshop esperienziale sul ruolo professionale. Musica improvvisata ed esplorazione del movimento spontaneo. Tali elementi saranno i nuclei di lavoro del workshop, che si propone di accrescere la consapevolezza dei processi somatici di base in gioco nella relazione di cura, di declinare il proprio ruolo professionale in una dimensione personale e corporea, per orientare al meglio le proprie risorse nelle relazioni di cura in ambito educativo e psicoterapeutico. Workshop on professional role.
Improvised love music and movement exploration in spontaneous attitude. Care relationships let us very often in unusual communication systems, difficult to decode. We try to anticipate answers with impulsive actions, to hand on symbolic meanings, blended to somatic processes in a sort of proto-menthal area. Expecially in disability, non-verbal elements become central about acting out behaviours. During the workshop we focus on those key elements, working on consciousness somatic processes effecting on care relationship.
Professional role will be discovered in the somatic as much as in personal aspects, to better direct professional expertise in therapeutic and educational work. In private practice with neurotic patients and in the public with psy-chotics, Jungian psychodrama returns a significant therapeutic experi-ence to body, movement, action. Psychotic patients — whose ability to express themselves verbally can be reduced, inadequate or compromised by delirious contents — return to co-municate from bodily expression as a vehicle of thought.
We had strong transformations in many countries: economic crisis, traumatic migrations, unemployment, climatic change, environmental disasters, terrorism, wars! How is the Anima Mundi? We will share together dreams, memories and expectations to investigate personal and collective unconsciousness reactions to these phenomena and what suggestions the wisdom of dreams will give us.
He will demonstrate the dream incubation technique according to the ancient medicine of Asclepion and the utilization of opening and closing rituals to contain the unconsciousness force and elaborate collective trauma. Psychodrama can be used to create a safe place and paths of change for the most severe traumatization.
Psychodrama creates a place to act out unprocessed trauma within the containment of therapy in order to stop the obsessive repetition of the past. Jungian psychodrama can help to play traumatic experience trough symbolic representations and the wisdom of dream-play. Often victim of trauma split out their feelings and in the play it is important to play the role of the heart or the role of the feeling of the protagonist to integrate the emotional dimension.
Two or three dreams will be played. Dreams convey the transformative wisdom of the unconscious, allowing emotionaly charged material to become easly accessibile to the consciousness, activating intrapsychic and intersubjective change. The group will take place within a ritualistic framework, creating a safe space to advance personal and social healing.
Abbiamo avuto forti trasformazioni in molti paesi: crisi economiche, migrazioni traumatiche, disoccupazione, cambiamenti climatici, disastri ambientali, terrorismo, guerre! Verranno rappresentati due o tre sogni. Forty-five years after his death, J. Moreno will have his name once again uttered by many during this International Conference. Nevertheless, his books are unfortunately still not well known, and his ideas are not always acknowledged. In the same vein, most of the books already published on the subject continue to favor the definition of the method as therapy.
It is about going back to the modern roots of psychodrama and making use of the words of the creator of the method himself. Participants will also be invited to look at the other side of the tree, and will have the opportunity to come into direct contact with the indispensable sociodrama.
But we know from our experiments that these two forms of role-playing can never be truly separated. Every role has two sides, a private and a collective side. The impact of early attachment patterns on development of memory systems and restructuring of memories in psychodrama. The most important early interpersonal patterns are coded on subcortical neural structures which rapidly complete their development soon after the birth.
Development of cortical structures takes a gradual process which continue across several years of life. Early mother-child attachment patterns secure or insecure develop mostly in the first year literally before the development of cortical neural systems which are necessary for explicit memory. Since the only memory system is implicit memory in the first year, early attachment experiences are far from conscious and declerative retrieval. Therefore in order to work on insecure attachment patterns in psychotherapy, it is necessary to track the traces of senses, emotions and actions through a close contact with the body.
Psychodrama is a psychotherapy system which fulfills this need because it enables us to work on somatic, psychic and social roles simultaneously. Affective and body reactions from implicit memory are integrated with episodic memory scenes and semantic clarifications of explicit memory on psychodramatic trips. This is at the same time an integration of memory systems which is possible by means of action insight. This presentation is about power of Psychodrama on integrating different memorial systems in relation with early attachment patterns.
It is an interpersonal psychotherapy system which provides us with a secure base for restructuring insecure attachment patterns and forming new healing bonds with life. Child Abuse Survivars Children involved physical, emotional and gender violence beleive that, they have no way out. It is possible to empower them by group therapy. We planned a group with 12 girls between years old and had 14 group sessions with them.
It was an encounter group. We used psychodramatic warming up techniques. After four meetings they started to talk each other about their life. They helped each other to gain power. They shared solution technigues. Group was a safe place for them. At the end, they felt more strong themselves to solve their problems. My presentation involve all this process, techniques used and successfulness. La messa in scena nello psicodramma delle immagini oniriche, sorte spontaneamente dalla nostra psiche, in questa fase di stagnazione mentale ed energetica, consentono di aggirare il pantano del malessere costantemente sentito, ri-contattando le forze vitali presente in noi.
The laboratory proposes an experience of psychodrama connected to the dimension of the dream, able to remove the continuous brooding of the thought towards the fragility of the person in front of the torment of detachment. The staging in the psychodrama of dream images, spontaneously arose from our psyche, in this phase of mental and energetic stagnation, allows us to get around the quagmire of constantly felt malaise, re-contacting the vital forces present in us.
The group space, the sharing of multiple dreams, the vivacity of the psychodramatic language offer the frame to resume a new feeling. A daytime scene that preceded the dream to highlight the focal problem that activated the dream 2. The representation of the dream itself with the necessary changes of role to give expression to the perspectives of the inner parts of the dreamer activated by the event 3.
One or more scenes that connect the recent event with the analytical path and the identification of the protagonist. Nello Psicodramma Analitico Individuativo a orientamento junghiano il lavoro sul sogno si fonda su tre pilastri: 1. Una scena diurna che ne ha preceduto il sogno, per mettere in luce il problema focale che ha attivato il sogno stesso 2.
Il poster evidenzia le varie fasi del processo di elaborazione durante la sessione ed inoltre i vari scritti inviati via mail al direttore dai partecipanti ausiliari successivi alla sessione, contenenti le reazioni emotive e i sogni stimolati dal lavoro svolto. Poster theme: use of group psychodrama to process trauma in a woman after suffering physical aggression by her companion. Contents: the poster portrays the network collaboration of social worker, family mediator, therapist, psychodrama therapist helping a mother of three abused by her partner, and a long psychodrama session especially set up with the aid of 20 volunteer auxiliaries familiar with psychodrama.
The request for intervention came from a fellow psychotherapist treating a patient with difficulties sleeping and relating to her own daughters after severe trauma. The psychodrama might help the woman access her own emotional sides blocked by the trauma with the reassuring aid of the welcoming group. The poster highlights the various moments of the elaboration process during the session and also the writings sent following the session via email to the director by the auxiliary participants, containing the emotional reactions and the dreams aroused by the work done.
Conduzione di un gruppo di psicodramma analitico freudiano a indirizzo lacaniano secondo la metodologia di G. Emerge nel soggetto un tratto inconscio,un sapere insaputo. La catena dei significanti passa anche attraverso sguardi, gesti, suoni lavorando per concatenazione e successione di scene. Starting with the question about how the clinical intervention with elderly patients is connected with the changing during an old age stage, it wants to explore the contribution of psychodrama to the development tasks and to the typically themes of this life stage, including social isolation, mourning, physical deterioration and changing of social roles.
Qui si scontrano con la scena traumatica. Sociometry is the glue that holds the group together. It establishes the link between individuals in the group setting, creating safety and developing an atmosphere that promotes spontaneity and creativity. It builds a framework to hold the intensity of Psychodramatic action.
Group Psychotherapy promotes cognitive integration and the reconfiguration of our intrapsychic roles and interpersonal connections. This triadic system allows people to address the challenges of living in a world where technology can stand in the way of spontaneity and creativity, not allowing us to become fully human. Through action and didactic presentation participants will have opportunities to learn about and experience this creative and multi-layered process. Theater techniques can help the Psychodramatist to facilitate staging, develop character, guide auxiliaries to expand their roles and find objectives for their protagonists.
Theatrical principles can help to create story and enhance the tension between the protagonist and the antagonist in a psychodrama. Adding more drama to the process helps to intensify the experience of both the protagonist and the group. It promotes greater spontaneity and creativity through emotional intensity as it increases the stakes for everyone involved.
This presenter who originally came from the world of theater will use her expertise to help psychodrama directors enhance their directing skills using theatrical tools, techniques and principles to deepen the drama and expand the emotional experience of everyone involved in the process. And do we want? Especially in psychodrama? The question is it possible to prove effectiveness of psychotherapy, and in particular of psychodrama, through scientific research is still unanswered. Is it enough just to believe in our method?
Do we want to prove its effectiveness scientifically? There are a lot of peculiarities concerning the usual design, randomization, duration, blindness, number of participants, motivation, the role of the therapist, the usage of nosological entities, etc. Key words: scientific research, proving effectiveness, psychotherapy, group psychotherapy, psychodrama. Di Maurizio Fajeti e Roberta Mineo In questi ultimi decenni si registra un travagliato percorso disidentitario del maschio. Abstract: As we challenge the status quo of the power relations of women and men in different institutions, many things would pop up to our awareness.
The binary concept of gender is overcome by a see-saw pattern of masculinity and femininity within the same individual, reflecting the richness of diversity and the complexity of dynamics as well. This workshop will open the way towards a deeper look at the meanings of gender identity, with consideration of gender stereotypes, gender justice, and gender equality concerns, in addition to gender empowerment. In a here and now experience, and with the use of creative arts, participants will be invited to examine the previous conceptions and to reflect upon their personal attitudes and beliefs.
Possible applications will be discussed. The workshop emphasizes the importance of the work on the adult level: the therapist, the consultant and the educator, which can affect multiple layers of society, down to the children and up to the decision makers. It will be run in English and Italian, but a lot more languages are welcome to join. In the first session sociometry was used to discover and find out more information about group members.
A group of 25 out of 50 young men in the ages 18 to 24 who had committed various crimes were chosen through a simple random sampling method. All the young men who were over the age of 18 and could no longer be housed in the juvenile prison lived in the place called Home of Safety. The room where we did the work had 2 armed guards, the psychodramatist and 3 assistants who helped with translation and any help needed in motivating the group to do the activities. In India juvenile justice board which comes under the ministry of women and child development is responsible for safety and upkeep of children who are in conflict with the law.
Fights between the gangs were quite frequent. The overall objective of the psychodrama session was to build compassion and empathy among the participants. The first session was a beginning of the group showing a little trust towards one another and a little empathy towards each other including the psychodramatist. Byrne, K talked about how Psychodrama seems particularly suited for work with prison inmates since Psychodrama is an action therapy which tends to rely less on the spoken word than many therapies, and gives the convict a chance to do, and then to re-do, those parts of life that cause him difficulty.
Since it is a form of group therapy, even those members whose problems are not being directly considered can benefit. Corsini notes that during his extensive experience in prison systems he has personally tried several methods of group therapy but has finally discovered that only one method, that of psychodrama, even approaches the effect of deep individual treatment.
Violence and discrimination is a part of day to day life for most of the LGBT community.
Números em texto integral
Human Rights Campaign, Studies show that LGBT population are more likely to be treated for anxiety, panic disorder, depression, poor self-esteem, eating disorders or to develop alcohol or drug dependency when compared to the general population Cochran, Mays, Alegria, Ortega, Takeuchi. These youth are also 4 times more likely to attempt suicide than their heterosexual counterparts CDC, Modern or post colonial India is still awakening to the fact that the LGBTQI community very much exists and is struggling to assert their basic and fundamental human rights.
The experience of them dealing with shame, guilt, anger, depression and pain that the community go through are made to express and process through psychodrama and sociometric exercises. The workshop will also take you through how psychodrama helped many members to come out to their close ones through sociometric exercises. Washington, D. Mental health disorders, psychological distress, and suicidality in a diverse sample of lesbian, gay, bisexual, and transgender youths. American Journal of Public Health.
Atlanta, GA: U. Department of Health and Human Services. Mental health and substance use disorders among Latino and Asian American lesbian, gay, and bisexual adults. Journal of Consulting and Clinical Psychology. Uno studio preliminare ha evidenziato come il tema della morte emerga frequentemente durante sessioni di psicodramma. Psychodramatic psychotherapy with cancer patient: the role of semi-reality. Psychological support to cancer patients is essential to deal with the physical, psychological and relational sufferance that arises and often persists beyond treatment success.
Group psychotherapy has been proven to be effective in reducing sufferance of cancer patients; however only few studies explored psychodramatic psychotherapy. The aim of the present study is to analyse how death is faced during semi-reality representation, in order to explore the functions and the consequences of this condition over both the active protagonist of the semi-reality representation and the other participants.
Weekly sessions, of one hour and half each, were provided by the San Paolo Hospital of Milan. Two independent coder analysed the fragments of sessions in which the theme of death was addressed during a semi-reality representation. Preliminary results suggest that the semi-reality dimension is used to directly address death and to talk about death related themes. Semi-reality dynamics allow to trigger transformative processes in the individual as well as in the group.
INCONTRI: caratteristiche Gli incontri, della durata di minuti, hanno cadenza settimanale e vengono proposti dopo i primi incontri di accoglienza del paziente. Gli incontri sono aperti a un massimo di 10 partecipanti e sono condotti in generale con tecniche attive e partecipative. Il metodo psicodrammatico consente ai presenti di esprimere, attraverso la messa in atto sulla scena, le diverse dimensioni della sua vita e di stabilire dei collegamenti costruttivi fra di esse.
Secondo incontro: Professionisti coinvolti: Psicologhe. Terzo incontro: Professionisti coinvolti: Psicologhe. Quarto incontro: Professionisti coinvolti: Psicologhe. Starting from the role of the Observer, it was possible to identify in the group its function as a holder of universal emotions associated with the pathology and its function as a stimulus in the redefinition of the existential roles of the oncologic patient. Verranno descritti: il setting , la nascita e lo sviluppo dei gruppi, con alcuni esempi descritti nel dettaglio. Verranno estrapolate alcune riflessioni sul lavoro svolto.
Materiali e metodi: i gruppi sono stati avviati da oltre un anno con incontri settimanali e sono tuttora attivi. Piemonte, Italy Introduction :This work is about experiences of groups in therapeutic psychiatric community in Piemonte Italy. These groups were aimed at people with chronic mental illness, psychic and physical disabilities. This work will be better described, with some more information about setting, birth and groups development, and some detailed examples will be made. Materials and methods : Weekly sessions of groups, started more than one year ago and are still active.
Every meeting has been summarized, also with ego helpers comments. In these sociodrama sessions, a large space was given to warming up, which was about many different kind of drama games , improvisation games, role playing with roles exchanging. And sometimes it was possible to enact a psychodrama with a protagonist.
Then, some technical adaptation useful to specific work in therapeutic community with people with psychiatric troubles and disabilities were discussed. It was observed a gradual increasing of communication and relationships between groups members. Most members have experienced this groups with positivity and trust towards the others and they also learnt to feel the group as an emotional container. There were also observed improvements concerning individual rehabilitation and community life.
In doing this work, it came to evidence that it was needed to adapt the setting to a therapeutic community contest, in order to make possible birth and development of the group itself. Questo simposio desidera ospitare e confrontare esperienze di psicodramma e sociometria applicati nelle diverse organizzazioni. All around the world, psychodrama is an elective instrument, not only for psychotherapy, but also for training and consulting.
This symposium wish to host and compare some experiences of Psychodrama and Sociometry applied in several organizations. Emotional satisfaction-warmth,protection,love,sexuality and intimacy- is vulnerable to interference. Our brain is clever enough to remind us what to remember and what to forget about our sexuality and relationships. Our brain is clever enough to remind us what to remember and what to forget. Mostly in case of ambivalency. The leader being sexual ttherapist and psychodramatist will try to stir up the memories kept in mind and body.
Who shall migrate for surviving? A partire da alcuni casi emblematici tratti dal mio pluriennale lavoro nei servizi di accoglienza italiani, alternando momenti di azione scenica e di riflessione ci confronteremo come gruppo internazionale e transculturale sulle metodologie e le risorse utilizzate in altre esperienze e altri contesti. The sociopsychodramatic intervention in pluricultural contexts.
The new migratory flows that have affected Europe over the last decades have produced an urgent need for specific psychosocial intervention in many areas of life and work. This workshop means to be an opportunity for exchange of experiences and knowledge on the application of socio-psychodramatic methods in pluricultural contexts and encounters, in particular working with the migrants in the reception centers and training the social and health workers and teams.
The aim of this workshop is to show how cultural anthropology and socio-psychodrama can cooperate, on one hand to improve the cohabitation and the social inclusion, and on the other hand to develop the competences for intercultural relations. I will present my long-lasting experience in these fields, working out some emblematic cases with psychodramatic techniques, then we will go on reflecting on them. So we will be able to share, as a cross-cultural group, our methods and resources used in various experiences and in different contexts.
The aim of this workshop is to show how cultural anthropology and socio-psychodrama can cooperate, on one hand to facilitate the cohabitation and the social inclusion, and on the other hand to develop interculturel competences of relation and communication. Psychodrama and cientific knowledge production. We will present the research challenges with methods of action and sociometry. We will talk about the epistemology of psychodrama. We will give examples with the research done in the universities of Brazil in the last 15 years.
Some research addresses, for example, the issue of AIDS in the country, questions of affirmative action for afro-descendants and domestic violence. This workshop will open the way towards a deeper look at the meanings of gender identity, with consideration of gender stereotypes, gender justice and gender equality concerns, in addition to gender empowerment.
Che cosa intendiamo per teoria e metodologia dello psicodramma? Vi sono diversi orientamenti in questo ambito; numerosi manuali sono stati pubblicati. In tali occasioni, sono emersi due ambiti principali: quello degli assunti teorici di base dello psicodramma e quello delle loro connessioni con altri approcci. Riflettendo sui risultati ottenuti, sulla base delle nostre proprie conoscenze e ricerche in psicodramma, abbiamo pensato di proporre un inquadramento coerente della teoria e della metodologia psicodrammatiche e delle sue connessioni con modelli teorici affini.
All over the world, since the last 70 years, many Institutions have been created to train and certify practitioners in psychodrama.
- Miséricorde (LITT.GENERALE) (French Edition);
- Gianni Berengo Gardin bibliography;
- God and the Karate Kid.
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There are various positions in this area; many handbooks have been published. The main instrument used in the past for creating a common theoretical and methodological basis for psychodrama is the Glossary; we can find a number of them available online. Two main fields have arised: the basic assumptions of psychodrama and their connections with other approaches. Reflecting on the outcomes of that work, on the basis of our own knowledge and research in psychodrama, we thought to propose a coherent framework for the psychodrama theory and methodology and their connections to other scientific disciplines.
So we built up two Conceptual Maps, that we will present in this Symposium:. The aims of the two Conceptual Maps are to lay the foundation for a common scientific language in psychodrama and to be a reference tool for training and research in psychodrama. In this view the two Maps still need to be rectified and improved. The participants at the Symposium will be invited to give their contribution in ideas and suggestions for the realization of the initiative.
Is important symbol of resistence to African culture, resilience, overcoming and trasnformation. We propose with the workshop to facilitate that the participants can get in touch with the history of the Abayomi dolls and inspired them, to identify aspects of their relationships that they want to transform. The public is invited to interact, to find sources of inspiration for creation, using paper, pencils, cand draw, paint, create and recreate, graphically represent the resonance of interactions.
Starting from the perspective of the use of the body as an anatomical tool that allows to establish codes of languages and give corporality to something that arises from the interactions. The world is in danger! The sun is going to explode and destroy the whole galaxy! All civilations have to be transfered to the only surviving Planet. But before they have to unify values and rules to form a new humanity. The rescue star ship is just leaving if all agree. After a nine months long work with Roma women from two villages, living in poverty, doing socio-psychodrama recorded on film a dramaturg wrote a theatre play.
The women play their own stories on stage. The performance became a huge success both in Budapest and in the villages where they performed. The play was selected to an International Theatre Festival in Dresden May