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I have come to the door, and I want to shout at everyone: —If you miss something, here it is! Because in all the afternoons of this life, I do not know how many doors are slammed on a face, and my soul takes something that belongs to another. Today nobody has come; and today I have died so little in the afternoon! In the Spanish, the rhyme is loosely absonant,while tercets follow an aba scheme. The English has no rhyme. Both use very simple vocabulary, though the symbolism may be hard for the student to grasp.

For preguntar in the first verse, the translator has chosen inquire. What could you substitute for pedir? The second stanza is so close a translation of the original. Should we? Can we break up this stanza? This afternoon everyone, everyone goes by.

Vientos del sur (English translation)

They neither ask or beg anything from me or They ask nothing of me. Do you like these changes?

El Viento, la Brisa y Tu Recuerdo

Substitute left behind for forget. Want seems weak, yet other expressions have a yen for sound awkward. How could you change that verse to satisfy that expression? How can we change it order, perhaps to relieve the tension? Cosa ajena is translated as something stolen. Change today and afternoon. What happens? What atmosphere does the poet create? Where could the poem have been written?

Sarah Brightman:En Aranjuez Con Tu Amor/en Lyrics | LyricWiki | FANDOM powered by Wikia

How much time passes from the beginning to the end of the poem? Nothing is ever named in the poem. Why would the author want such ambiguity? What does agape mean? What language is at its root? Why do you think the poet chose this title? What is the tone of the poem? Does it makes you sad, mad, or what?

La culebra tiene los ojos de vidrio; la culebra viene y se enreda en un palo; con sus ojos de vidrio, en un palo; con sus ojos do vidrio. La culebra camina sin patas,; la culebra se esconde en la yerba; caminando se esconde en la yerba, caminando sin patas. Reed, John E. Englekirk, lrving A.

New York: Meridith Corp. The snake has eyes of glass;, The snake coils on a stick;, With his eyes of glass on a stick, With his eyes of glass. The snake can move without feet; The snake can hide in the grass; Crawling he hides in the grass, Moving without feet. Hit him with an ax and he dies; Hit him! Go on, hit him! The dead snake cannot eat; the dead snake cannot hiss; he cannot move, he cannot run! The dead snake cannot look;, the dead snake cannot drink,; he cannot breathe, he cannot bite.

Translated by Willis Knapp Jones. Both the Spanish and English sway with the musicality of the chant. The refrain, interspersed with verses, brings to mind the slithering of the very snake described here. One senses the snake moving in and out of the poem.

Pinta el viento (Paint the Wind): (Spanish language edition of Paint the Wind) (Spanish Edition)

The English contains the same onomatopoeic words, though the verses lose some force in the translation. Somehow, the onomatopoeic words blend better with the Spanish.

  • The Douay Catechism of 1649?
  • Pinta el viento (Paint the Wind): (Spanish language edition of Paint the Wind) (Paperback)?
  • Bestselling Series;
  • Borrar | Spanish to English Translation - SpanishDict.
  • ISBN 13: 9780545077897!

Could we change them at all? Rewrite the third stanza without can. The snake moves without feet. Switch moving with crawling. Find synonyms for moving and crawling. Can you suggest a substitute for hit him? Smash him, get him, kill him, stomp on him.

Vientos del sur

Use different ones. Do you like the result? Silbar -Whistle-hiss are all so snake-like. Packaging should be the same as what is found in a retail store, unless the item is handmade or was packaged by the manufacturer in non-retail packaging, such as an unprinted box or plastic bag. See the seller's listing for full details. See all condition definitions - opens in a new window or tab Read more about the condition.

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